Spent some time this weekend at Red Hot Press Open Studios at The Old Cattle Market and did this. If you haven't been there it's got that "out of the way" feel that time has passed it by. The Central Bridge arches house several activities from a boxing gym and butchers through to the home of over twenty artists - a hive of activity! Open Studios continues next weekend from 11.00 am to 5.00 pm both days.
You may recall this pen sketch of Bugle Street I did a few weeks ago which I have taken into Photoshop for colouring. I'm experimenting with better and more simple ways of doing this and if any one's interested let me know: it's a good way of applying colour as an alternative to traditional methods and with a little practice is quite rewarding. Meanwhile it's out with the brushes...
I started this one as a demo piece for my one-day residency at the Spice Island Art Trail back in June. With a few hours on my hands I thought I'd better finish it before teaching and commercial work takes over. Its from a photo I took walking up to the chapel in the Royal Victoria Country Park. The weather was quite changeable and I have tried to reflect this in the sky and light effect. 37 x 29 cm on 140Ib Waterford NOT
by adding layers of watercolour washes to my original ine drawing. Linear perspective is enhanced by aerial perspective using warm and cool colours applied to this sketch.
in Southampton - this time it's Carlton Crescent. The Crescent was started in 1825 and described at the time as the “genteel upper part of the town” and by Pevsner as “the most spectacular piece of Regency development in Southampton”. Together with Rockstone Place it really does stand apart.
I'm just enjoying ink line drawing at the moment but look out for colour versions... I'm also combining cycling and sketching using the sadle for resting my sketchbook on - Brooks of course! This one's for you Ed!
Three versions of a pen drawing showing Southampton's medieval walls: original location drawing, watercolour wash and Photoshop
of the Civic Centre from outside the Cellar. I did the ink drawing on location and added the colour washes afterwards. I tend to look for perspective in these urban views which "draws" the viewer into the picture - also very helpful in acheiving scale and proportion. You can learn more by booking onto my drawing and watercolour weekend in November at Red Hot Press.
I'm planning on running a drawing / watercolour weekend for beginners / intermediates on 15/16 November at Red Hot Press in Southampton. The cost will be £115 inclusive. Should you be interested let me or Katherine know and I will send you details.
Sometimes an ink line is all that is needed - I really admire the penmanship of American architectural illustrators of the 19th and 20th centuries as well as all those illustrators published in Punch magazine. My "bible" is Rendering in Pen and Ink by Guptill which I still use as reference in my teaching.